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・ Untitled (L's)
・ Untitled (landscape)
・ Untitled (Marc and the Mambas album)
・ Untitled (Morrison)
・ Untitled (Patel)
・ Untitled (R. Kelly album)
・ Untitled (Rape Scene)
・ Untitled (Richard Fleischner artwork at Alewife station)
・ Untitled (Rosati)
・ Untitled (Scoop)
・ Untitled (Selections from 12)
・ Untitled (Shapiro)
・ Untitled (Terri Walker album)
・ Untitled (The Armed album)
・ Untitled (The Birth)
Untitled (The Byrds album)
・ Untitled (The Rembrandts album)
・ Untitled (The Smashing Pumpkins song)
・ Untitled (Thought Forms and Esben and the Witch EP)
・ Untitled (Urban Wall)
・ Untitled (West)
・ Untitled (Wintersleep album)
・ Untitled 153
・ Untitled 2017 Star Trek TV series
・ Untitled 4 Ballads
・ Untitled 7"
・ Untitled 96
・ Untitled Boyapati Srinu project
・ Untitled Colin Warner project
・ Untitled Coma album


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Untitled (The Byrds album) : ウィキペディア英語版
Untitled (The Byrds album)

''(Untitled)'' is the ninth album by the American rock band The Byrds and was released in September 1970 on Columbia Records (''see'' 1970 in music). It is a double album, with the first LP featuring live concert recordings from two early 1970 performances in New York City and with the second LP consisting of new studio recordings. The album represented the first official release of any live recordings by the band as well as the first appearance on a Byrds' record of new recruit Skip Battin, who had replaced the band's previous bass player, John York, in late 1969.
The studio album mostly consisted of newly written, self-penned material, including a number of songs that had been composed by band leader Roger McGuinn and Broadway theatre director Jacques Levy for a planned country rock musical that the pair were developing.〔 The production was to have been based on Henrik Ibsen's ''Peer Gynt'' and staged under the title of ''Gene Tryp'' (an anagram of Ibsen's play), with the narrative taking place in the south-west of America during the mid-19th century. However, plans for the musical fell through and five of the songs that had been intended for ''Gene Tryp'' were instead recorded by The Byrds for ''(Untitled)''—although only four appeared in the album's final running order.〔
The album peaked at #40 on the ''Billboard'' Top LPs chart and reached #11 on the UK Albums Chart. A single taken from the album, "Chestnut Mare" b/w "Just a Season", was released in the U.S. in October 1970 but missed the ''Billboard'' Hot 100 chart, bubbling under at #121.〔 The single was later released in the UK in January 1971, where it did considerably better, reaching #19 on the UK Singles Chart.〔〔 Upon release, ''(Untitled)'' was met with positive reviews and strong sales, with many critics and fans regarding the album as a return to form for the band.〔 Likewise, the album is today generally regarded as being the best that the latter-day line-up of The Byrds produced.
==Background==
Following the firing of The Byrds' bass player, John York, in September 1969, Skip Battin was recruited as a replacement at the suggestion of drummer Gene Parsons and guitarist Clarence White. Battin was, at 35, the oldest member of the band and the one with the longest musical history.〔 Battin's professional career in music had begun in 1959, as one half of the pop music duo Skip & Flip.〔 The duo had notched up a string of hits between 1959 and 1961, including "It Was I", "Fancy Nancy", and "Cherry Pie". After the break-up of Skip & Flip, Battin moved to Los Angeles, where he worked as a freelance session musician and formed the band Evergreen Blueshoes.〔 Following the disbandment of that group, Battin returned to session work in the late 1960s and it was during this period that he met Gene Parsons and became reacquainted with Clarence White, whom he had known from a few years earlier.〔 York's dismissal and Battin's recruitment marked the last line-up change to The Byrds for almost three years, until Parsons was fired by McGuinn in July 1972. Thus, the McGuinn, White, Parsons, and Battin line-up of the band was the most stable and longest lived of any configuration of The Byrds.〔〔(【引用サイトリンク】publisher=Snopes.com )〕
For most of 1969, The Byrds' leader and guitarist, Roger McGuinn, had been developing a country rock stage production of Henrik Ibsen's ''Peer Gynt'' with former psychologist and Broadway impresario Jacques Levy.〔(【引用サイトリンク】publisher=ByrdWatcher: A Field Guide to the Byrds of Los Angeles )〕 The musical was to be titled ''Gene Tryp'', an anagram of the title of Ibsen's play, and would loosely follow the storyline of ''Peer Gynt'' with some modifications to transpose the action from Norway to south-west America during the mid-19th century.〔 The musical was intended as a prelude to even loftier plans of McGuinn's to produce a science-fiction film, tentatively titled ''Ecology 70'' and starring former Byrd Gram Parsons (no relation to Gene) and ex-member of The Mamas & the Papas, Michelle Phillips, as a pair of intergalactic flower children.〔 Ultimately, ''Gene Tryp'' was abandoned and a handful of the songs that McGuinn and Levy had written for the project would instead see release on ''(Untitled)'' and its follow-up, ''Byrdmaniax''.〔
Of the twenty-six songs that were written for the musical, "Chestnut Mare", "Lover of the Bayou", "All the Things", and "Just a Season" were included on ''(Untitled)'', while "Kathleen's Song" and "I Wanna Grow Up to Be a Politician" were held over for The Byrds' next album.〔〔(【引用サイトリンク】publisher=ByrdWatcher: A Field Guide to the Byrds of Los Angeles )〕 "Lover of the Bayou" would later be re-recorded by Roger McGuinn in 1975 and appear on his ''Roger McGuinn & Band'' album. Despite not being staged at the time, ''Gene Tryp'' was eventually performed in a revised configuration by the drama students of Colgate University between November 18 and November 21, 1992, under the new title of ''Just a Season: A Romance of the Old West''.〔(【引用サイトリンク】publisher=Ear Candy )

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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